The entry doors are open for this year's Meager Puddle of Limelight Award for Best Short Story Title.
Best of luck to all who take part.
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If you'd like to vote for your favorite entry, please click here.
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If you'd like to vote, here's the link: Qualifying Round 1.
Best of luck to everyone who entered.
Vene, vidi, puddli!






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Hi everyone,
We all know a great title is an excellent way to pull someone into a story, but now it can bring you fame and fortune too!
Okay, maybe not 'fame' exactly (and to be honest, not fortune either), but it can win you a Meager Puddle of Limelight Award as well as an I are a writer! mug/Fur-Face CD combo.
If you think your short story title's good enough to win a Puddle, click here to read my blog post about how to enter.
Best of luck to all who take part ![]()
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Here's the back of the book, so you can read the blurb:
Meredith has some cool giveaways and prizes throughout the launch. She's giving away a Kindle to one of the lucky readers who purchase a copy this week.
If that's not exciting enough, there's a special booby prize on offer at her blog today. A random commenter will win a copy of Fur-Face (the CD version with all the extras, including an entry into my own Win-A-Kindle contest).All you have to do to get your name in the hat is pop over to Meredith's blog and leave a comment on today's post.
Good luck to everyone taking part.
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At the time of writing, just five votes separate the three leading contenders currently battling it out for this year's Meager Puddle of Limelight Award for Best Opening Line.
If you haven't yet chosen your own favorite, there's still time to vote, but don't leave it too long. The poll closes at noon tomorrow (US/Eastern).
If you'd like to see the poll, click here.










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As promised, here's the second half of 20 questions with award-winning writer, Jonathan Maberry. If you missed the first half, you can find it here.
11. How important is an online presence to you?
Crucial. In 21st century publisher an online presence is the primary way to get known, create and sustain buzz, get to know readers, and become part of the global book community. I’ve made a huge number of friends –readers, librarians, booksellers, reviewers, and colleagues—through social media. Most of these folks I would never other have met.
12. What’s your take on e-publishing?
It’s a fact of life, but it won’t entirely replace print. All of my books are simultaneously published in print and in e-format. I’ll all in favor of it.
13. Who’s your favorite fictional character (and why)?
It’s a toss-up between Sherlock Holmes and Kane (the swordsman-sorcerer created by the late Karl Edward Wagner).
14. What are the best thing and worst things about being a writer?
I get to play inside my own imagination all day long, AND share that with hundreds of thousands of people. It’s like having the keys to a toystore and inviting everyone you know to come over and play.
15. How important is a writing/critique group for people wanting to get on in this business?
Writers suffer in isolation. They thrive in community. I learned that from experience. It’s vital for writers to be around other writers, and groups like the Writers Coffeehouse provide for that. When writers are with other writers, they are with their own kind. They’re with people who get them. People who understand the stresses, frustrations, demands, processes, and joys that are unique to writers.
Also, by networking with other writers…there’s a much greater chance of getting ahead in their careers. Writers are very generous people as a rule, and every genuine pro I know loves to see other writers break in and live the writing live.
16. Karen W. Newton would like to know if you were in a writing group before you got published, and if so, are you still a member?
No. I was first published while still in college, way back in ’78. I didn’t join a community of writers until 2001, when I attended my first writers conference. I wish I had done it decades sooner, though. I’ve been so much happier since becoming part of a writers community; and being around other writers has energized me so much that my career has gone from loping along to a vertical climb. I credit a lot of this to being part of a community of writers.
17. Tell us a little about The Liars Club. How did it get started? How did you get involved?
The Liars Club was something I cooked up with noted fantasy author Gregory Frost. We were networking over a few beers one day, sharing info each of us had on book signings, social media, etc. We realized that together we knew substantially more than either of us did individually. So we decided to build on that. We formed the Liars Club and invited other writers to join.
We selected writers who share certain qualities. They have to be fair minded, generous, interested in community-building, and under contract to a major publishing house. A daffy sense of humor was also a plus.
The Liars Club is very busy. We throw parties for bookstores, we do events at libraries (to help build awareness and support), we give classes and workshops, and we participate in panel discussions and fundraisers. And we have a lot of fun, too.
18. Would you care to share some writerly advice for the Wall of Wisdom over at FindAWritingGroup.com?
Sure. Couple of quick things. First, never EVER rewrite ANYTHING until you have a completed first draft. Then revise what needs revision.
Don’t lock yourself into one genre. Be open to trying anything. My career has been built on doing a bit of this and a bit of that.
And---this is big—understand that ‘writing’ is an art; ‘publishing’ is a business. Never confuse the two. The art is between the writer and the reader; but in order to get it into the hands of the reader, the writer has to pass through the publishing business machine. The lesson here? LEARN how the business works, and work within the business.
19. What do you know now that you wish you'd known when you first started writing?
How to write a good query. I made some legendary blunders in that regard until someone finally gave me a clue about to write a good one.
20. One last question: Who do you think would win in a fight, astronauts or cavemen?
Technology trumps brute force every single time.
JONATHAN MABERRY is a New York Times best-selling and multiple Bram Stoker Award-winning author, magazine feature writer, playwright, content creator and writing teacher/lecturer. His books have been sold to more than a dozen countries. His novels include GHOST ROAD BLUES (winner of the Bram Stoker Award for Best First Novel); PATIENT ZERO (winner of the Black Glove Award for Best Zombie Novel of the Year, and in development for TV); THE WOLFMAN; ROT & RUIN and the forthcoming standalone zombie thriller DEAD OF NIGHT. His nonfiction works include: VAMPIRE UNIVERSE, THE CRYPTOPEDIA (winner of the Bram Stoker Award for Outstanding Achievement in Nonfiction; co-authored by David F. Kramer), ZOMBIE CSU: The Forensics of the Living Dead (Winner of the Hinzman and Black Quill Awards and nominated for a Stoker Award), and WANTED UNDEAD OR ALIVE (with Janice Gable Bashman).
For more about Jonathan and his work, visit his website: www.jonathanmaberry.com.
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A Happy Thanksgiving! to all my American friends.
I've had the pleasure of meeting award-winning author, Jonathan Maberry (pictured below), several times over the last three years.
In addition to being the most productive writer I know, he's one of the most approachable, helpful fellows you could ever hope to meet. Jonathan was kind enough to take time out of his busy schedule to answer some questions for us, here on the FAWG LJ community.
1:You started your career in non-fiction. What made you decide to write fiction?
Whim. I read more fiction than nonfiction, and I made a tentative run at fiction in the form of plays. Also, I was frustrated by not finding the kind of supernatural fiction that relied on folklore as heavily as I wanted. So, instead of complaining about it, I took a swing at writing it. That resulted in my first novel, GHOST ROAD BLUES and its sequels, DEAD MAN’S SONG and BAD MOON RISING. Once they sold –and when GHOST won the Bram Stoker Award for Best First Novel, I felt validated. So I kept writing fiction. Now I’m totally hooked on it.
2:What’s your preferred genre/wordcount?
I’m not married to any genre. I write in whichever one suits the story kicking around inside my head. I started with horror because I was writing nonfiction books of supernatural folklore, so that was a natural jump. But my next novels were science thrillers (PATIENT ZERO, THE DRAGON FACTORY and the forthcoming THE KING OF PLAGUES); then I did a movie adaptation because the opportunity came along (THE WOLFMAN); and then took teen fiction for a test drive with ROT & RUIN and its sequel DUST & DECAY. Now I’m writing a horror thriller, DEAD OF NIGHT. Who knows what’s next?
In short fiction I’m every more varied. I’ve written horror, suspense, action thrillers, military science fiction, comedy, mysteries, and even media tie-ins (such as a GI JOE novella due out in 2011).
My daily word count tends to fly in the 3-4 thousand range. Weekends, about half that. I don’t take days off.
3: What’s your current WIP?
I have three projects in the works, with deadlines in the same week. I’m writing DEAD OF NIGHT, a standalone zombie thriller, which will be published by St. Martins Griffin in Summer 2011. I’m also writing a weird short story about a serial killer who becomes the protector of a group of children during the apocalypse. And I’m writing issue #5 of a limited series for Marvel Comics, CAPTAIN AMERICA: HAIL HYDRA.
4: Are you a pantser or an outliner?
Outliner. Pros who work fast tend to outline. But, like most creative people, once I outline I allow for some organic growth.
5: Of all the characters you’ve made up, which is your favorite?
I love the character of Mr. Church in the Joe Ledger novels. Even I don’t know everything about him. But I do enjoy knowing more about him than my readers…and doling out little bits and pieces of his backstory in each book.
6:What was the last story/novel you pitched/submitted?
I just pitched and sold a 4-issue prequel to my series MARVEL UNIVERSE VS THE PUNISHER. However all of the details are under wraps. One hint, though: SNIKT!
7:What was the last story/novel you read?
I just finished BEHEMOTH by Scott Westerfeld, the second in his brilliant diesel punk series.
8: What’s your take on self-publishing?
Try to avoid it. It’s a career buster for the most part, and the people in publisher won’t love you for it. Besides, I’m a big believer in the philosophy that writers should get paid. So…find a way to sell it.
9: What was the best writing advice you ever heard?
Write every day. Every. Single. Day. No exceptions, no excuses.
10: What was the worst?
“Wait for the mood to hit you.” Total nonsense.
JONATHAN MABERRY is a New York Times best-selling and multiple Bram Stoker Award-winning author, magazine feature writer, playwright, content creator and writing teacher/lecturer. His books have been sold to more than a dozen countries. His novels include GHOST ROAD BLUES (winner of the Bram Stoker Award for Best First Novel); PATIENT ZERO (winner of the Black Glove Award for Best Zombie Novel of the Year, and in development for TV); THE WOLFMAN; ROT & RUIN and the forthcoming standalone zombie thriller DEAD OF NIGHT. His nonfiction works include: VAMPIRE UNIVERSE, THE CRYPTOPEDIA (winner of the Bram Stoker Award for Outstanding Achievement in Nonfiction; co-authored by David F. Kramer), ZOMBIE CSU: The Forensics of the Living Dead (Winner of the Hinzman and Black Quill Awards and nominated for a Stoker Award), and WANTED UNDEAD OR ALIVE (with Janice Gable Bashman).
For more about Jonathan and his work, visit his website: www.jonathanmaberry.com.
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Hi everyone,
I'm hosting a networking social for my writerly friends over at An Englishman in New Jersey. If you'd like to take part, you're most welcome.
Have fun 
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Excellent news!
Multiple Bram Stoker Award-winning author, magazine feature writer, playwright, content creator, writing teacher/lecturer, international Martial Arts Hall of Famer and all round nice guy, Jonathan Maberry, has kindly agreed to be interviewed here at the FAWG LJ community.
I've been lucky enough to meet Jonathan on several occasions over the last few years. Not only is he a great fellow, he's extremely wisdomous.
I have some standard questions for him (including the all-important astronauts or caveman conundrum), but if there's a particular something you'd like to know about Jonathan and/or his work, let me know in the comments and I'll include it in the list I send him at the weekend.
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